The truth is, I can imagine all of these wonderful ideas much faster than I can actually create them. This is why I have started using an Idea Book or Craft Journal. A friend of mine gave me this mostly blank sketch pad that she wasn’t using. After it sat on my shelf for awhile, I finally pulled it out one evening to try to sort out some thoughts that had been swirling through my head. It is worth noting that while art is indeed very therapeutic and can be a way to work through your problems and express yourself, I have found that textile arts just don’t lend themselves as easily to the rush of passion or the chaos of plunging into inner turmoil/ depression… and I can’t paint or draw for beans. The Idea Book is nice because, like a journal, it allows me to work through any issues I may be having in life.. but using it as a medium for artistic design, I am also able to sketch, doodle, play with color schemes and tack swatches of fabric or yarn into the book as well.

As well as not letting me forget ideas, the Idea Book also allows me to process emotions...

The possibilities are really endless. In the current digital world, it’s a nice reprieve to shut everything down and just let the pen flow how it wants to.

Eventually, I will get around to making all of these things that I want to, and perhaps, these ideas will evolve into something better by the time I get around to them. Something I have had to make myself accept: There is no shame in working at your own pace. Just because I see this friend or some other person seeming to crank out dozens of items in a week, does not mean that I have to. We all have different demands on our lives – work, relationships, other hobbies, etc. Creating art is an individual experience and should never become more of a burden than a joy.

A good friend and I awaiting last summer's showing of "Ready".

While Hindi films have gained a fairly large fan base in the US over the last few years (at least, I know a good number of people familiar with the term “Bollywood”, even if they’ve never seen a single movie.), I often find myself being curiously asked about my interest by Indians I encounter. Today, during intermission, I was asked by 3 people sitting near me how I was enjoying the film, if I’d seen a Hindi film before, if I was able to follow the story well. I never mind answering, I love the conversations that tend to follow – in this case it was a short discussion about how South Indian films are often remade in Hindi and it’s typically the Hindi versions that get the recognition in the US. (There’s fodder for a whole other post that I won’t go into here.)

Last time I went to see a Hindi film in the theater, I went with some friends, and I dressed in a salwar kurta and jeans. Admittedly, I felt self-conscious and wondered if my choice in attire was being well or ill received, or if I was over-thinking it. I couldn’t help but think about the words of a TA (Teacher’s Assistant) I had in college, and I still think about them. One day, in class, he read to us a poem he’d written entitled “I am not a dot”, after which he went on to talk about cultural appropriation and we had a discussion about whether it’s ok to take elements from another’s culture, how different aspects of cultures are appropriated, dynamics of power and so on. (It was actually quite interesting and enlightening.. I still have it recorded, but sadly, I need a new micro-cassette player to access it.) I also distinctly remember Madonna being mentioned, and, while these things never really have a “right answer”, I remember his distaste for the way she wore mehndi, and the way she talked about yoga. These discussions are a large part of why I’ve never donned a bindi, even as I have become more infatuated with Indian fashion and design.

I know, mirror pictures are garish. I had no other choice... really.

Despite seeing numerous positive blogs and videos and generally having been told by friends that I look good and can pull it off, my mind somehow always wanders back to the issue of appropriation. I start to dance around when I hear the tabla, and then I hear George Carlin saying, “…stick to your … polkas and waltzes, and that repulsive country line dancing shit that you do.” I get carried away in the magic of a Hindi film song, and as I close my eyes and begin to imagine myself as a heroine, sometimes I see myself merge gracefully like Heather Graham in The Guru, other times, I think I clash like Rachel Shelley in Lagaan.

Additional Reading:

How to be a white girl in Indian clothes – http://jacquelinecieslak.com/?p=1327

Cultural Appreciation or Appropriation? – http://www.the-nri.com/index.php/2010/05/whats-wrong-with-white-women-wearing-sari/

Recommended Movies (just a few, or this list would never end!):

Rab Ne Bana Di Jodi

Ghajini (There’s a Hindi version and a Tamil version, I like both)

Kites

3 Idiots

Veer Zaara

With all this wrestling chat in my ear, I decided to try looking for wrestling inspired patterns on Ravelry. Christmas may be over, but it’s never too early to get a jump start on the next gift giving season (given that I’m still trying to finish the man’s xmas gift for _this_ year, that really couldn’t be truer, heh) and besides, I just know he’d smother me with praise and hugs if I knitted him his own Zack Ryder inspired tight pant wrestling style skivvies. And those 2 minutes are what motivate me to try to make it happen. Well, surprisingly (perhaps not), all I found was a luchador inspired ski mask. Eh, not quite what I was looking for. So, Google steered me in a better direction: Lixie Makes It.

It was everything I could do to stifle my laughter, especially when I saw the Cena shorts. Yes, I’ve already forwarded it to the boyfriend, yes, I’ve already told him I’m going to make him a pair. ::giggles uncontrollably::

Switching topics a little, the boyfriend also sent me a news feed about some WWII POW cross stitch. Here is the complete article: Craftzine – Subversive Finds. This really is a worth while read and I’m totally fascinated. Aside from having a love for crafts, I’ve also got a minor obsession with cryptology. Morse code and stegonography in cross stitch?? ::explodey!::

On that note, I’m going to end here, as the boyfriend has finished his recording. I hope to update again here in the next week or so with a post-holiday “what I’ve been up to” entry.

Katherine Pippin Pauley

  This piece, entitled Yin Yang, was on display at Springfield, IL’s Gallery II back in September of this year (2011). I’ve seen Katherine’s work before at 3T, some steam punk inspired arm bands to be precise, and I loved her attention to detail then. When I saw this piece, I couldn’t help but fawn over the way the bettas were intricately put together. I love when quilting takes on a realism in the imagery. I was also intrigued by the way the edges of the pieces weren’t tucked under. They were raw. Rule breaking. I like that.

Terra Anderson

Last month, I attended a small art show in Urbana, IL called GREEN.art.show. Held at H2O Salon, this was a small local show dedicated to art from recycled materials. My favorite piece here was a dress made from leaves. Yes, leaves. With a cocklebur trim.

I wonder, is that dress wearable? Perhaps not. I love the idea of it though.

Mary Tumulty and Ryan Sponsler

Also last month, The Pharmacy Gallery in Springfield, IL held it’s opening show. To quote their Facebook page, “The Pharmacy is an artist run co-op, gallery and community center…” I already know most of the artists from doing the 3T shows before. Wonderfully talented lot, all of them. Yet, I have to give my personal best of show to this piece which was a Mary Tumulty/ Ryan Sponsler collaboration.
I swear, this photo does not do it justice. I studied this piece over and over. I must have circled through the place a dozen times, but I always came back to this. I love the disturbed chaos, the red and black splattered across the canvas. Like the soul of a human being tormented by life… the hands and face dirty from years of hard work, the mind scarred and changed by tragedy and pain. And the stitches! These stitches were Tumulty’s doing. They make this. Haphazzard and tangled in places, these stitches physically warp and alter the terrain of the canvas. So, not only do you have the years of pain, the tears and sweat and blood that have been sent sprawling across, but here we can see all the effort to heal. This is everyone trying to survive, trying to pull themselves together, mending themselves in whatever way they can so they can continue to function in society. This is nothing short of a masterpiece.

I have a lot of old clothes I want to use up, so I’ve been thinking a lot lately about trying to make some manner of plush creatures and/or sock monsters. As I posted on almost all of my social networking statuses (we should change the pluralization to “statii” – it sounds cooler), the wrong side of sweatshirt material provides a cheap alternative to buying fleece or fur for these little creatures. These are small projects that use up old material and don’t require a lot of time. Plus, they’re just really awesome and I’m dying to make some.

My problem is, as magnificent as Gunter’s creations are, there is something in me that prevents me from making them. It’s as though I feel I should be creating my own little creatures, which, is all well and good, but that my mind starts churning and spewing out this great deluge of large, detailed creatures that are more like works of art in their own right than just funny little creatures. I don’t have time for that, nor is it what I’m shooting for. But, as with almost everything, my imagination doesn’t want to lay complacent to something so simple. “But look!”, my mind tells me, “You’ve already seen what these creatures look like.. we need to do something bigger and better!” After  which, all productivity comes to a standstill as I procrastinate and wait for my mind to make itself up as to what I really want to do.

I feel, like, all official and stuff now!

This is not the first I’d heard about these shirts, and it really isn’t just JC Penney. I can remember, maybe a year ago, while sorting through clothes at the second hand store that is my current day job, I came across a woman’s t-shirt reading “Why do I need brains when I have THESE?” written across the chest. I couldn’t tell you where it originated, but it could honestly have come from any number of stores.

The T-Shirt Meme

It wasn’t until after WWII and into the the 1950′s that t-shirts as we know them really came onto the scene. Before that, the t-shirt was really nothing more than underwear. They started off rather plain and nondescript. While I don’t know exactly when, I can peg it to sometime in the 60′s when these simple pieces of clothing started to evolve into the forms of art and expression we know them to be. Tie-dye, the iconic Happy Face and a wide range of other designs were to be found.

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Photo from Wikipedia. Mexican-American teens at Venice Senior High school. [Ref: Venice Senior High School yearbook: The Gondolier. 1974

What’s So Funny?

The biggest question that Mayim Bialik is trying to ask in her statement is why do we find this phrase to be humorous? Indeed, when we try to actually understand why we find a thing funny, we are learning about ourselves and our society. There was actually an entire section on this subject in one of my Linguistic Anthropology classes at UIUC, and I suddenly find myself wishing I had kept those textbooks. We use humor to make statements about our world and how we fit into it.  We use jokes to address difficult subject matter in a way that connects us to others and helps us cope. Comedians look to culture and society to find their material and similarly, we can turn the mirror around. So when we read the phrase, “I’m too pretty to do homework, so my brother does it for me”, why would we find this even remotely funny? Our cultural history has long placed women and girls as these creatures who are valued by their beauty.
You find it in artwork hundreds of years old, in the traditional archetypes. Women are glorified as chaste and beautiful goddesses or maidens, or chastised for their tempestuous sexuality, or mocked for their lack of physical beauty. It has only really been within the last 30-40 years that we’ve started to see women entering the workforce and daring to do jobs traditionally assigned to men. Before that, if a woman hoped for a relatively well to do life, she needed to find and charm a successful man to marry her. The idea being that if you’re attractive, you’re more likely to have a better life. For men, the jobs that brought about more prestige and more money were those jobs that utilized their brain-power more than their brawn. (Your classic blue-collar/ white-collar distinction). So, the successful man was intelligent and clever while the successful woman was physically appealing. Even once we started seeing more “smart women” archetypes, they tended to be dowdy or plain and usually single. (Note Daphne vs Velma from Scooby Doo)  The idea here is that, pretty women don’t have to resort to using their brains because they can find a successful man to provide for her. We still see this idea as a driving force in our popular culture today. (Hello, Desperate Housewives?)

Despite advances women have made in Western society to be considered equal to a man, we’re still living in a half-changed world. It is this tipping back into lingering archetypes and gender roles that makes the shirt both funny and offensive. Some would even argue that it’s funnier _because_ it’s offensive – a resistance to change and a satire of the recent cultural conscience and awakening.
While I am glad to see JC Penny has removed the shirts, I know that this is the tip of a large iceberg.

Some of my t-shirts

Fitting for the tone of this post...

Now 10 years old and falling apart, I bought this shirt with my first paycheck at age 16.

From CafePress.com, this is my first internet only tee.

Made by the artist, Mary Tumulty.

Working on the rag rug

Where does all the time go? Is it really near the end of September already? This month has seemed to just fly by me. While I have been keeping myself busy this past month catching up on reading, spending time with family that came to visit and other endeavors to stay social offline, I hate to admit I haven’t done much in the way of crafting or creating. Oh, I’ve worked some on this project or that, but not enough for me to really feel I’ve been productive. Having said that, here is a glimpse at one of the projects I currently have underway:

Each warp is made from 4 strands of yarn, tied to the pole in the middle, making the warps 8 strands thick. There are in the neighborhood of 60-70ish warps.

I would say this is my major project right now. For those of you who know me on Facebook, you’re already familiar with it. For the rest of you, this is new info.
I’ve had the book Twined Rag Rugs by Bobbie Irwin in my possession for a few years now,  and, part wanting to experiment with something different and part needing a rug for my living room anyway, I decided to begin this project.
I don’t have any kind of a loom frame, and I don’t have the tools, space or woodworking know-how to create the kind of frame Irwin uses. I went to a hardward store and purchased an 8ft wooden closet pole. To this pole I tied long strings of yarn.
For the wefts, I cut strips of fabric about 3 inches wide. I wanted to start of using what I already had. This includes an old satin bed sheet set that I’ve been keeping for a few years. I admit, I’m a bit of a fabric hoarder – some of my fabric I have been toting around since I was in middle school, never sure what to do with it, but feeling I could do _something_ with it. However, I didn’t quite have enough black and red fabric to complete the rug, so I did have to acquire more, which I got from secondhand sources. Not being able to find enough of what I needed, I attempted to dye strips of white using Rit. Epic Fail. Rit sucks.
To create the repeating design pattern I made use of another book sitting unused on my reference shelf – Gold and Silver Needlepoint by Maggie Lane. I bought it at The Book Rack in Springfield, IL a couple of years ago. (support local/independent sellers!) I took one of her repeating designs used in a section of background and expanded it. Not so secret Secret: Any design that uses graph paper can be used for knitting, crochet, weaving, or needlepoint.
The weaving technique I am using is called taaniko, sometimes spelled with only one “a”. Irwin introduces in on page 64. This is a twined weaving technique perfected by the Maori in New Zealand.

After the completion of 5 rows...

As beautiful as taaniko work is, this was almost a lost art only 20-30 years ago. Indeed, twining in general is a craft trying to survive. Considering that it takes considerable time (each row on my rug has taken me approximately an hour), I can see how some might be dissuaded from even attempting it. To quote a good friend of mine from a comment she wrote on my Facebook, “…just sayin, there’s easier ways to do those things…”. Indeed, in this day and age there are faster, easier ways to do a great many crafts. Sewing machines have become increasingly computerized, most of your store-bought knitted items use a knitting machine, and some weeks back I rented a DVD on fused art quilts (essentially making use of fusible web to bond fabrics together). While I’m certainly not about to knock any of these things, I kind of have this love and respect for the old traditions of craft. Maybe it’s the anthropologist in me… but, when I do this kind of labor intensive work, I feel a sense of connection to all the people who have gone before me. I love feeling like I’m helping to preserve methodology, or bring something back from the dead.