Creating a Narrative

“Beylerbayan Apek of Orhanli Beylerbeylik” by Gambargin on DeviantArt

Months before Lammily was completed and shipped out, she had a passport that could be customized by the buyer for each individual doll. The idea here is that while each doll is a Lammily doll, she could have her own, unique name and, by extension, her own personality or story variant. Indeed, so many of the Lammily dolls I come across in the Facebook groups have been given wonderful names and a few have developed personalities that are evident in the outfits the dolls are dressed in and the way they’re posed and talked about — yes, adults still have license to engage in imaginative play. It has taken me some time to find an identity for my doll.

The basic Lammily character story is that she is well traveled. This is a nod to the fact that her initial backing came from contributors all over the world. It’s a narrative that I like and that I think fits especially well with some of the themes of this blog – this is A’Cloth the World after all. The little booklet she comes with talks about some of the different countries she has been in – Canada, France, Australia, Italy, England, the United States – all Western countries. So, I’m imagining some of her travels into other parts of the world – Japan, India, Turkey – and some of the friends she might make and clothes she might wear. I’m trying to imagine where she might be from originally – just because I’m American doesn’t necessarily mean she is. I mean, she might be. But maybe she’s British? Or maybe she’s Spanish? Or Turkish? Or Russian? Or a combination of any of these? Because of her brown hair and tan-ish skin tone, there are a half dozen plausibilities – each of which provides an opportunity to learn about different clothing traditions and some history.

I’m actually kind of enjoying constructing a backstory for my doll. It makes me feel very nostalgic – I used to write short stories and fan fiction frequently when I was younger. I just have to be careful I don’t get so sucked into the details that I forget to sew anything, lol!

As of this evening, I have officially named her and we (yes, my doll and I – don’t judge 😛 ) are on our way to hashing out her story. Her name is Morrígan Çelik. Her mother is Irish and her father is Turkish. She is intelligent and curious, but very headstrong. Her mother would tell her the story of Cuchulain before bed and she would dream of epic battles and facing down snarling dogs with her bare hands. Her father taught her how to play the bağlama as a child and she plays as a way to relieve stress after a long day. (I will now have to figure out how to make a doll sized bağlama, lol.) Morrígan is a huge fangirl – she has posters of David Tennant, Tarkan, Imran Khan, and CM Punk on her wall.

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T-shirt Memes, Humor, and What They Tell Us About Ourselves.

I was scrolling through my Facebook this morning and came across a link one of my friends had posted about a former TV star speaking out against certain t-shirt JC Penney had been selling a few months ago (they have since stopped). Here is the link if you’d like to read it yourself: Former “Blossom” Star Speaks Out About Controversial T-shirts

This is not the first I’d heard about these shirts, and it really isn’t just JC Penney. I can remember, maybe a year ago, while sorting through clothes at the second hand store that is my current day job, I came across a woman’s t-shirt reading “Why do I need brains when I have THESE?” written across the chest. I couldn’t tell you where it originated, but it could honestly have come from any number of stores.

The T-Shirt Meme

It wasn’t until after WWII and into the the 1950’s that t-shirts as we know them really came onto the scene. Before that, the t-shirt was really nothing more than underwear. They started off rather plain and nondescript. While I don’t know exactly when, I can peg it to sometime in the 60’s when these simple pieces of clothing started to evolve into the forms of art and expression we know them to be. Tie-dye, the iconic Happy Face and a wide range of other designs were to be found.

”]Amid all this decoration and corporate advertising over the last half century, it’s really hard to truly pinpoint when we started designing these shirts more to be read than just gawked at. Some pages claim it was the 80’s, some the later part of the 90’s. Having been a child in the 80’s, I can remember wearing shirts and dresses with slogans on them, band tees and Disney characters with the occasional adorable caption. I also remember a lot of home-made fabric paint/ applique artwork as a child. Applique ::shudders::
I didn’t really start noticing t-shirts with no other designs aside from the one-liner until I was in High School (of course, I wasn’t yet working and thus able to actually shop for myself before then). Whenever they began, it seems to me that we are becoming increasingly hooked on all these encompassing one-liners (and the occasional paragraph). Our t-shirts are reflections of ourselves, our personalities, our beliefs and convictions. They make bold statements about political issues or just make us laugh with witty remarks on everyday miscellany.

What’s So Funny?

The biggest question that Mayim Bialik is trying to ask in her statement is why do we find this phrase to be humorous? Indeed, when we try to actually understand why we find a thing funny, we are learning about ourselves and our society. There was actually an entire section on this subject in one of my Linguistic Anthropology classes at UIUC, and I suddenly find myself wishing I had kept those textbooks. We use humor to make statements about our world and how we fit into it.  We use jokes to address difficult subject matter in a way that connects us to others and helps us cope. Comedians look to culture and society to find their material and similarly, we can turn the mirror around. So when we read the phrase, “I’m too pretty to do homework, so my brother does it for me”, why would we find this even remotely funny? Our cultural history has long placed women and girls as these creatures who are valued by their beauty.
You find it in artwork hundreds of years old, in the traditional archetypes. Women are glorified as chaste and beautiful goddesses or maidens, or chastised for their tempestuous sexuality, or mocked for their lack of physical beauty. It has only really been within the last 30-40 years that we’ve started to see women entering the workforce and daring to do jobs traditionally assigned to men. Before that, if a woman hoped for a relatively well to do life, she needed to find and charm a successful man to marry her. The idea being that if you’re attractive, you’re more likely to have a better life. For men, the jobs that brought about more prestige and more money were those jobs that utilized their brain-power more than their brawn. (Your classic blue-collar/ white-collar distinction). So, the successful man was intelligent and clever while the successful woman was physically appealing. Even once we started seeing more “smart women” archetypes, they tended to be dowdy or plain and usually single. (Note Daphne vs Velma from Scooby Doo)  The idea here is that, pretty women don’t have to resort to using their brains because they can find a successful man to provide for her. We still see this idea as a driving force in our popular culture today. (Hello, Desperate Housewives?)

Despite advances women have made in Western society to be considered equal to a man, we’re still living in a half-changed world. It is this tipping back into lingering archetypes and gender roles that makes the shirt both funny and offensive. Some would even argue that it’s funnier _because_ it’s offensive – a resistance to change and a satire of the recent cultural conscience and awakening.
While I am glad to see JC Penny has removed the shirts, I know that this is the tip of a large iceberg.

Some of my t-shirts

Fitting for the tone of this post...

Now 10 years old and falling apart, I bought this shirt with my first paycheck at age 16.

From CafePress.com, this is my first internet only tee.

Made by the artist, Mary Tumulty.

 

Emulation: Part 2

What is a furry?

Trying to define exactly what is furry is actually quite an undertaking, despite my familiarity with the subject. You see, furries and the furry fandom are quite complex. From a very basic standpoint, a furry is an anthropomorphic animal, either a human dressed as an animal or an artistic representation of an animal taking on somewhat human characteristics (sometimes –but not always – bipedalism, speech, primate-like hands, etc). From this definition, Mickey Mouse would be considered a furry, as would the guy dressed as the Easter Bunny in the mall every spring. However, it’s not quite that simple. The furry fandom (the over-arching community of people who consider themselves furry, or who appreciate furry art) isn’t even in total agreement as to exactly just what constitutes a “furry” and what is just some guy in a bunny suit.

The Costume

When you look into the wardrobe of the furry community, you’ll find a wide range of selections from a fursuit that covers the entire body and face, to a simple collar. As aspects of furry culture enter the mainstream culture (mostly by way of anime), it is becoming more common to see people wearing mittens that look like paws or hats with ears on them. (In fact, I believe one of the Stitch ‘n’ Bitch books has a pattern for knitted cat ear hats.) However, as these elements become more acceptable and more mainstream, is it still “furry”?

My friend, Emily, in a knitted hat with cat ears. Yes, she made that 🙂

A Shared Culture

It seems to me, that what really sets apart a furry from a mall employee in a bunny suit, is a shared culture or sub-culture. Tygerwolfe, the author of Furry Logic (source 5), did some Freshman level ethnography of sorts on “Prancing Skiltaire” furries. Noting the demographics, she found most of the group (whose human forms could be visibly observed) were Caucasian and males predominated. In asking some of the furries why they chose to become furries, the responses were along the lines of respect for/ wanting to emulate their chosen animal and wanting to not be human for awhile. Indeed, being a furry allows for actions such as nuzzling or grooming which are inappropriate as a human, but are perfectly acceptable while one is “in character”. I can definitely see the allure of this… even as humans we have a need to feel loved and accepted, and physical closeness/ touch can be hard to find in everyday life sometimes. Several of the furries she interviewed also stated that they dressed as their chosen animal to feel closer to it somehow.

Mental Shifts

A mental shift is simply what the name implies, your mind shifts focus.  As Vexen Crabtree (author of source 3) points out, a mental shift itself is a normal thing, “Rugby players performing a dance before a game are enticing a mental shift. Some football fans hype themselves up to the extent that they undergo a mental shift whilst attending a game. Certain forms of martial art train and entice adherents to perform mental shifts during meditation or training…” In this context, the shift is from the human self to the animal (furry) self. There is a large overlap of furries and therians (people who feel such a deep connection to their animal that the animal is a part of who they are, or that they harness the animal’s spirit or power – similar in concept to having a spirit guide, but slightly different) and so, for some, becoming furry can be a near spiritual exercise.

In Closing/ Food for Thought

I first became acquainted with the term “furry” around 2005. I was looking up pictures of foxes (I’ve always been fascinated with them… they’re just gorgeous creatures) and chanced upon the artwork of Justin Pearce. Though, in a sense, I’ve been drawn to furries since I was a small child, long before I even really knew what they were. I can remember, as a very little girl, pretending I was cat. I used to try to curl up and sleep on the arm or back of the couch like our cats did. I would lick the back of my hand to wash my face and try to have conversations in cat-speak with our cats, as if I had some inter-special link to them that no one else had. Many children, actually, mimic animals as part of play. Even as adults, animals still hold importance and power for us. The Ranting Gryphon (source 4) wrote an interesting post that discusses the use of animals as symbols/ communication/ language. He cites company and team names incorporating animals in the names:

Without our animal symbols, the Miami Dolphins would be the Miami Intelligent-Yet-Very-Quick-And-Elegants. You would no longer own a Ford Mustang. It would be a Ford Wild-Majestic-And-Powerful. We use animals to capture the essence of their character in our communication, and in doing so, we add a fanciful and whimsical flair to our society and our human world.

He has a good point. Animals do carry cultural significance and symbolism/ connotations, so many that we would come up lacking if we erased them from our lives. It also makes sense considering how important animals have been to us in the past. Animals were the central subject matter of cave paintings, some of the earliest gods were animals, or part animal-part human. From a certain standpoint, furry-ism, if you will, is really just a re-boot of some very old concepts.

Sources

1) Wikipedia. http://en.wikipedia.org/wiki/Furry_fandom

2) PeterCat’s Furry InfoPage.  http://www.tigerden.com/~infopage/furry/

3) An Intimate Exploration of Furry Fandom.  http://www.humantruth.info/furry.html

4) The Ranting Gryphon. http://ranting-gryphon.com/Information/whatisfurry.htm

5) Anthropology 100 – Furry Logic. http://www.tygerwolfe.com/?page_id=344

6) Furry Psychology 101: Types of Furry. http://skuffcoyote.livejournal.com/70336.html

Emulation: Part 1

As promised, the subject of this segment is the use of ritual animal dress in shaman practices/ animistic culture. In trying to find reference material (which elaborates upon the basic information I already know while adding credibility to my writing), I have made a frustrating observation: With so many New Age-y pages on shamanism/ animism, it’s hard to find good, legitimate sources on the topic. ::headdesk::   Also, my apologies in that I was a little later getting this posted than I had intended. Life happens.

"Yupik masks made the invisible visible. They are the physical representations of encounters with the spirit world. Spiritual leaders design the masks to represent beings they have seen while in a trance. Every element and motif of a mask has a special purpose, the meaning of which is known only to the creator of the mask." (7)

There are rich histories of shamans the world over. Even in today’s world shamans still exist, although a lot of traditional practices are dying out – The last shaman of the Oroqen  people died in 2000 (4). While there are differences in rituals, beliefs and practices between the different communities, it is a general rule,

Haida Shaman Mask

that animal costume served to connect to the spirit world, through the power of the animal. It is also generally the shaman who has the ability to perform such rituals (but this is not always the case, there are some non-shaman rituals during which participants dress up).

The Pacific Northwest

The native peoples of the Pacific Northwest (Kwakiutl, Tlingit, Haida) carved elaborate masks. Some of the masks look like human faces, but they represent supernatural beings. Others are clan totem animal

masks. These masks were worn during ceremonies and

Wolf Dancer.

rituals by trained dancers and storytellers. One of the important rituals was the potlatch. The potlatch was held for special occasions such as marriages, births, rites of passage, funerals, etc. These were essentially large gift giving ceremonies where there would be food, singing and dancing. Often there would be dancers dressed in regalia, which included the intricately carved and painted masks, such as the wolf dancer in the photo to the left. In the 18th and 19th centuries, Canadian and American governments banned and outlawed the potlatch ceremonies. These bans were only repealed as recently as 1951 (11).

Siberia

For the indigenous peoples of Siberia, such as the Orochon and the Yukaghir, the reindeer was an important part of life. In fact, the name “Orochon” actually means “reindeer people”.  The reindeer provided fur and meat, they pulled sleds and were even entrusted with carrying small children and babies. It was also the skin of the reindeer that the shaman wore, along with the antlers in some tribes. I’ve also read that the coat is made to represent a bird skin, so that the shaman can fly (10). Perhaps as a sign of the importance the role the shaman played in Yukaghir culture, upon death, his body was dismembered and a part given to each member of his clan (10).  Today, while shamanism is still practiced in the region, it is no longer as wide spread. Reindeer are still a part of life, and some tribesmen have taken up breeding domesticated reindeer.

Yukaghir Shaman Clothes. I have read that the skin is that of a reindeer, but I have also read that the skin is to be like that of a bird so the shaman can fly.

Hokkaido

For most of this post, I have been looking at instances where humans take on animal form. There is, however, one case I have come across where the opposite is true from a spiritual standpoint. For the Ainu (an indigenous people of Hokkaido), animal deities look and behave the way humans do when they are in their own realm. When these deities come to the human realm, they come disguised so as to bring gifts of meat and fur. (8)

Another interesting tidbit I learned while reading up on Ainu shamanism that I was not previously aware of:

Among the Hokkaidō Ainu, shamanism is not highly regarded and shamans are usually women, who collectively have lower social status than men. The Hokkaidō Ainu shaman also enters a possession trance, but she does so only if a male elder induces it in her by offering prayers to the deities. Although she too diagnoses illnesses, male elders take over the healing process. Male elders must consult a shaman before they make important decisions for the community. In other words, the politically powerful male cannot even declare a war without consulting the shaman—an intriguing cultural mechanism to balance formalized and nonformalized power. (8)

The Eagle Dance

My personal favorite occasion in which people don animal dress is the Eagle Dance. When I was a very young girl, my Grandfather used to take me to powwows. The part I always loved the most were the dances.. especially Eagle Dance, because of all the pretty feathers and how the dancer always looked so grand with his wings outstretched.  Eagle Dance isn’t specific to any one tribe, as the eagle held deep importance for many Native Americans.

This is by no means an exhaustive list, and while doing the reading for this entry, I came across other aspects of indigenous wardrobes that I would like to look into in depth sometime, such as Chilkat blankets. Not wanting to tangent from topic, I will have to remind myself to come back to it later. (Tangential researching, another factor in not having this posted on time, lol)  In Part 2, I will be discussing Furries.

Sources

1. Shamans and Shamanism. http://faculty.gvsu.edu/websterm/Shamans.htm

2. Canada’s First Peoples. http://firstpeoplesofcanada.com

3. Wikipedia. http://en.wikipedia.org/wiki/Animism

4. Wikipedia. http://en.wikipedia.org/wiki/Shamanism_in_Siberia

5. The History of the Eagle Dance. http://www.brownielocks.com/eagledance.html

6. Support Native American Art: Northwest Coast Masks. http://www.support-native-american-art.com/northwest-coast-masks.html

7. The Glenbow Museum.http://www.glenbow.org/collections/museum/native/inuit.cfm

8. Ainu-Religion and Expressive Culture. http://www.everyculture.com/East-Southeast-Asia/Ainu-Religion-and-Expressive-Culture.html

9. Sakha Open World. http://www.sakhaopenworld.org/sd/shaman_eng.html

10. The Yukaghir and the Yukaghirized Tungus. http://onlinelibrary.wiley.com/doi/10.1525/aa.1929.31.1.02a00200/pdf

11. Wikipedia. http://en.wikipedia.org/wiki/Potlatch

Emulation: Introduction

Last night, I was watching one of my favorite movies, Indiana Jones and The Temple of Doom. I always loved the Indiana Jones movies as a child.. indeed, Indy was a role model of sorts for me during my formative years, and is still very much a personal hero. (How else do you think I got interested in Anthropology? LOL)

My Hero, Indiana Jones

Anyhow, as I was watching Indy travel through the jungle and narrowly escape being crushed to death, I couldn’t help but think to myself: I want his outfit. This is not the first time I have thought this to myself..  in fact a few years back I spent hours looking into just where his outfit came from. What company made his jacket? Where can you get an authentic looking hat? What dye combination is needed to make a white button up shirt look that dingy tan/grey color?

Then my mind springboarded from that and I started asking myself why I wanted to dress like him.. Or why, for that matter, does anyone want to emulate someone or something else? We see it all the time in advertisements.. we use big name celebrities to market this product or that because we know that the fans will buy said product in order to emulate their hero. Indeed, the only time I have ever spent over $100 on a pair of shoes was for just such a reason – I bought a pair of Nike Shox because I was obsessed with House, and those are the shoes he wears. (They were actually very good shoes, and while my motivation for purchasing them may have been misguided, I don’t entirely regret the purchase.)

If you follow Japanese fashion (or even just contemporary Japanese culture) at all, you might be familiar with Cosplay: generally, dressing up as a character from an anime or manga. Perhaps you’ve even heard of furries – anthropomorphic animal cartoons/ a person incorporating an animal into his/her cosplay attire?  I’m willing to bet money, if you know what I’m talking about, this is all pretty normal to you.. you may even be a LARPer. If not, you’re going to learn all about it in upcoming blogs (Come to the Nerd Side!). You may even be shocked to learn (if you’re not already aware) that this strange practice is centuries old. Yes.. people have been dressing up as animals for hundreds of years. Yes, I’m talking about animism and shamans here folks – hard core anthropology fodder.  And it is with the shamans that I will begin my investigation into the significance of emulation in fashion and culture next week.